My work explores memory, time, and perception through layered surfaces of oil paint, graphite, and charcoal on clay panels. By pouring, sanding, and rebuilding each painting, I preserve traces of earlier marks, suggesting a collection of time worn surfaces. The translucence of application possesses a simultaneity of appearance and dissolve.​​ These layers function as a visual language of personal symbolism rather than fixed narratives. The paintings exist between abstraction and memory, where what is erased is as important as what remains.These residual marks act as a form of abstract graffiti—evidence of experience that communicates through suggestion rather than description.