My work explores memory, time, and perception through layered surfaces of oil paint, graphite, and charcoal on clay panels. By pouring, sanding, and rebuilding each painting, I preserve traces of earlier marks, allowing the process to remain visible.
 

These layered surfaces function as a visual language, suggesting thought, emotion, and personal symbolism rather than fixed narratives. The paintings exist between abstraction and memory, where what is erased is as important as what remains. I think of these residual marks as a form of psychological graffiti—evidence of experience that communicates through suggestion rather than description.